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Many big biopics focus on a subject with a talent for verbal expression, a politician given to making quotable speeches, for example, or a writer whose aphorisms may be easily appropriated for the script. LaMotta has no such faculty, and nor does anyone around him. And so it is his actions that define him – and no action defines him better than the way he treats his title belt, the physical symbol of his best accomplishments. Like almost everything of importance in LaMotta’s life, he battles to get it, and then wilfully destroys it thinking he is doing the right thing.
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