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Both literary men whose lives I have documented wrote family histories. While few people read Christopher Isherwood’s Kathleen and Frank, JR Ackerley’s My Father and Myself is considered a masterpiece. What makes it so wonderful is not that it was written by a celebrated figure, but that it is so beautifully narrated. Whether writing for ourselves, our family and friends, or complete strangers, it all comes down to how well we tell our stories.
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Much of the film takes place in the abandoned church where Qohen lives, as he plugs away fruitlessly on his console with one eye on the phone. Two supporting characters occasionally drop by: Bainsley (Mélanie Thierry), a pneumatic fantasy girl clad in the kind of PVC jumpsuits that passed for sexy in the mid-1990s but now look faintly tragic, and Bob (Lucas Hedges), the aforementioned hacker. Both rapidly outstay their welcome, as do Tilda Swinton’s rapping virtual psychiatrist, and a jobsworth boss played by David Thewlis, gamely channelling Eric Idle.
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