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A few months
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Steffens appears especially intimidated by her role, and it’s hard to blame her. Like all icons, the real Jackie Kennedy played herself better than anyone else ever could. Giamatti is saddled with self-aware dialogue about the conspiracy theories that would later blossom from Zapruder’s footage. And while Marguerite Oswald may have been a maternal monster, Weaver’s voracious overacting feels out of place in this somber setting.
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