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“They weren’t news photographs, they were just images that were intended as a personal keepsake or a memory of that event. And then of course they turned into historic news photographs because it was the amateurs who were closest to and who were able to record the dramatic events of the shooting itself. So of course, the home movie of Abraham Zapruder, the inexpensive Polaroid of Mary Moorman, became the images through which we remember that event today,” adds Wallis.
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